DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are often craving romantics, using this type of variance: Buster looks a plausible mate, as well as the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been manufactured in a far more liberated time, it is possible to imagine Keaton in mattress with a woman, but disquieting to consider the Tramp as being a se